Major Works of Classical Music (HUM 304)

2021 Fall
Faculty of Arts and Social Sciences
Humanities(HUM)
3
6/5 ECTS (for students admitted in the 2013-14 Academic Year or following years)
Filiz Ali filizali@sabanciuniv.edu,
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English
Undergraduate
HUM201 HUM202 HUM207 SPS101 SPS102
Formal lecture,On-line task/distance
Learner centered,Communicative,Discussion based learning,Task based learning
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CONTENT

An initial inquiry into the post-Renaissance emergence and development of polyphonic music in Europe, including a sampling of works from the Baroque (Bach), Classical (Haydn, Mozart, Beethoven), Romantic (Liszt, Chopin, Schumann), or Romantic-Nationalist (Berlioz, Wagner, Verdi) styles or periods. Based on a combination of readings and lectures on the overall historical context surrounding each composer's individual lifetime and output, with intensive listenings and musical analysis of the compositions concerned. Intended to develop a sense of music appreciation covering both the social, political, cultural, religious, and literary backgrounds or connections of great music, as well as its internal conditions and requirements (vis-à-vis notation, instruments, orchestras, performance skills and methods of composition).

OBJECTIVE

The aim of Major Works of Classical Music course is to provide the tools for a basic understanding of music, especially western classical music.

LEARNING OUTCOMES

  • to provide the tools for understanding Western classical music.
  • to develop an appreciation of the performance tradition of Western Classical Music through a field trip to a symphonic classical music concert.
  • to acquire an attentive style of listening with regard to style and genre, enhancing students' awareness.
  • to study representative "major works" of within their historical and cultural contexts.

ASSESSMENT METHODS and CRITERIA

  Percentage (%)
Final 40
Midterm 30
Assignment 15
Participation 15

RECOMENDED or REQUIRED READINGS

Readings

SUPPLEMENTARY READING AND LISTENING LIST
Johann Sebastian Bach: ?Johannes Passion
Ø www.baroquemusic.org/bqxjsbach.html
Ø Bettmann, Otto L. Johann Sebastian Bach, As his World Knew Him. A Birch Lane Press
Book, 1995
Ø Wolff, Christoff. Bach: Essays on his Life and Music. Harvard University Press, 1991
Joseph Haydn: ?Paris? and ?London? Symphonies
Ø Stendhal, (Henri Beyle). Lives of Haydn, Mozart and Metastasio. London, Calder & Boyars
Ltd, 1972
Ø Landon, H.C. Robbins. Haydn: Cronicle & Works: Haydn at Eszterhaza. 1766-90. New York,
Thames & Hudson, 1995
Wolfgang Amadeus Mozart: ?Le nozze di Figaro (Marriage of Figaro)?
Ø Anderson, Emily, ed. The Letters of Mozart and Family, New York, 1985
Ø Dent, Edward J.: Mozart?s Operas, New York, London, 1947
Ø Pestelli, Giorgio: The Age of Mozart and Beethoven, Cambridge University Press, 1984
Ø www.theatrehistory.com/french/beaumarchais001.html
Additional research on Mozart?s librettist Lorenzo da Ponte and the French Revolution.
Ludwig van Beethoven: ?Eroica? Symphony, No: 3, E flat, op.55
Ø Knight, Frida. Beethoven and the Age of Revolution. London, Lawrence & Wishart, 1973
Ø Dahlhaus, Carl. Ludwig van Beethoven: Approaches to his Music. Oxford, Clarendon Press,
1991
Ø Landon, H.C. Robbins. Beethoven: His Life, Work and World, New York, Thames & Hudson,
1993
Frederick Chopin: Piano Works
Etude op.10, No. 1, C major ?Arpeggio?
Etude op.10, No. 12, C minor ?Revolutionary?
Etude op.25, No. 6 G sharp minor ?thirds?
Etude op.25, No. 10, B minor ?octave?
Etude op.25, No. 12, C minor ?Revolutionary?
Ø www.chopin.pl
Ø Szulc, Tad. Chopin in Paris: The Life and Times of the Romantic Composer. Da Capo Press,
1998
Robert Schumann: ?Carnaval? and ?Frauen liebe und leben?
Ø Fischer-Dieskau, Dietrich. Robert Schumann. Amadeus Press, 1989
Ø Todd, Larry R. Schumann and His World. Princeton University Press, 1994
Johannes Brahms: Double Concerto for Violin and Cello
Ø Swafford, Jan. Johannes Brahms. Knopf, 1997
Ø www.johannesbrahms.de/indexe.htm
Franz Liszt: ?Faust Symphony? and Piano Works
Ø Watson, Derek. Liszt. Oxford University Press, 2000 HectorBerlioz: ?Fantastic Symphony?
Ø Holoman, Kern D. Berlioz. Harvard University Press, 1989
Ø www.hberlioz.com
Giuseppe Verdi: La Traviata, Rigoletto, Othello
Ø Berger, William. Verdi With a Vengeance: An Energetic Guide to the Life and Complete
Works of the King of Opera, Vintage Books, 2000
Ø Heilman, Robert. Magic in the Web: Action and Language in Othello. Lexington: University
of Kentucky Press, 1956
Ø Rosenberg, Marwin. The Masks of Othello. Berkeley, University 0f California Press, 1961.
Ø www.geometry.net/authors/dumas_alexandre_page_no_2.php
Ø www.kirjasto.sci.fi/vhugo.htm for Le rois?amuse-Rigoletto
Richard Wagner: Der Ring des Nibelungen
Ø Gutman, Robert W.: Richard Wagner the Man, His Mind and His Music, Harcourt Brace,
1990
Ø www.utexas.edu/courses/wagner/home.html
Essential Reading:
Ø The Holy Bible: Old and New Testament
Ø The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie
Ø Hanning, Barbara Russano. Concise History of Western Music, W.W.Norton & Company,
Ltd., London 1998.
Ø Hamilton, Edith. Mythology: Timeless Tales of Gods and Heros. New York, Mentor, 1940.
Ø www.pantheon.org
Ø www.greekmythology.com